Tuesday tidbits.

Does anyone out there grow paprika peppers?  I’ve used sweet paprika in a few recipes but just recently discovered smoked paprika when I made a spice mix for use as a dry rub in grilling. Now I’ve been putting smoked paprika on everything: scrambled eggs, baked potatoes, slow cooked beans…and as everyone but me seems to have already known, it elevates deviled eggs to a seriously crazy pinnacle of excellence.  I’m curious, what are your favourite ways to use this fantastic little spice in cooking? (Tell me how you use other types of paprika as well!). And if you’ve grown the peppers, please tell me about your successes (or failures) with them.  I don’t think I can easily grow them here without the benefit of a greenhouse, but I am nevertheless very interested….

I came across a fascinating article about the history of embroidery – although it references 900 years of the craft, it’s a very brief overview so it won’t take you long to read.  The photos are fantastic, too.  Check it out here.

Whether you’re a reader or a writer, you may enjoy this little piece posted up at Tor.com – it’s a thought-provoking take on writing botany into fantasy fiction.  How do you name and describe plants that exist in worlds that aren’t real?  Stuff like this is why writing is so fun….

Oh yes, and let’s cycle back to food: I posted a recipe for zucchini and salmon loaf up at Grit.com last week. Use fresh salmon if you have it. If you’re vegetarian, I think you could make a variation with scrambled tofu.  And throwing in a few diced mushrooms and red or yellow peppers would be pretty yummy, too.  Don’t forget the smoked paprika!  ♥

 

Art: “Black Gold” by Sandra Sawatzky.

I spent the morning downtown at the Glenbow Museum, which is currently hosting an absolutely incredible art exhibit: a 67 meter long (220 feet!) embroidered tapestry called “Black Gold,” by Calgary artist Sandra Sawatzky.  Inspired by the Bayeux Tapestry and split into 8 panels for ease of showing/viewing, this is the complete history of oil and its connection to humankind, from before we were even kicking as a species, during the days of the dinosaurs, through all the technological movements we’ve made right up to our modern car-culture.  Every detail of the story was meticulously researched and planned, each image/scene representative of people and culture and significant events on the timeline. I would have been impressed with the storytelling alone, but I can’t even begin to find words sufficient to describe the perfectly formed and beautifully executed stitching, the vibrant colours of thread she selected, and the stylized imagery and borders reminiscent of the Bayeux Tapestry.  I had to repeatedly remember to clap shut my gaping jaw; “Black Gold” is truly a masterpiece!

I was impressed by something I read in the artist’s statement about the medium of embroidery on fabric – Sawatzky is also a filmmaker, and she commented on the fact that the USB flash drives, external hard drives, and the computers we are currently using to edit and save film images will not survive far into the future (hopefully we will be able to save the data in a new way!), but she was resolved to create something far more durable and lasting with the cloth and thread that comprise “Black Gold.”  (In another gallery of the museum was an exhibit called Eye of the Needle; in it, there were gorgeous examples of different types of embroidery and beadwork, as well as projects detailing the quilling and tufting artistry of Canadian Indigenous people.  Some of the items were modern, while others were over a century old – an indication of the longevity of the medium).

It took Sawatzky nine years to complete “Black Gold” from start to finish, and you can read details of how she went about the work on her project blog, here.  (This separate link will take you to the Glenbow Museum’s site, where you can read about the exhibit. As the webpages change to reflect new exhibits, this link won’t last beyond May 2018, I believe, but you can at least read it now).

Next time I feel daunted by a large task (creative or otherwise), I will have to immediately remind myself of “Black Gold” and the beyond-impressive amount of work that went into it.  I am so pleased to have had the chance to see it. (And it was also delightful taking in some of the fantastic abstract paintings of Lawren Harris – one of the members of the Group of Seven – which were on display at the Museum in a separate gallery).